Like Buy Share View in Room Title A Girl with a Pearl Earring Artist Jan Vermeer Ref GM2684 Type Fine Art Print Image Size 20" x 28" (50 x 71 cm) Prints 18" x 24" (45 x 60 cm) - $44.00 24" x 32" (60 x 80 cm) - $75.00 30" x 40" (75 x 100 cm) - $95.00 36" x 48" (90 x 120 cm) - $150.00 Canvas Prints 18" x 24" (45 x 60 cm) - $146.00 24" x 32" (60 x 80 cm) - $235.00 30" x 40" (75 x 100 cm) - $329.00 36" x 48" (90 x 120 cm) - $439.00 Fine Art Prints 20" x 28" (50 x 71 cm) - $440.00 Select additional sizes and options from the list Paper Size 24" x 32" (60 x 81 cm) Price $440.00 £264.00 $440.00 €462.00 Add to basket Description Girl with a Pearl Earring was originally titled Girl with a Turban and it wasn't until the second half of the twentieth century that the name was changed. Regarded as Vermeer's masterpiece, this canvas is often referred to as the Mona Lisa of the North or the Dutch Mona Lisa. The girl in this painting is believed to be Vermeer's eldest daughter, Maria, who was about twelve or thirteen-years-old at the time it was created. Her facial features appear in several of Vermeer's works but his various techniques on his subject make it difficult to compare the female faces in his paintings, as the woman are portrayed in different lighting conditions and poses. There is very little information about Vermeer and his paintings. Girl with a Pearl Earring is signed "IVMeer" but there is no date on this work. It remains unknown whether or not this canvas was commissioned and if so, by whom. It's more likely that this image was a tronie, Dutch 17th-century description of a 'head' painting that was not intended as a portrait. With this painting the viewer is captured by the subject and believes they have caught her attention and caused her to turn her head. This is a sensual painting with the girl gazing at the viewer with wide eyes and a parted mouth and there is an air of mystery surrounding her identity. In 1994 this canvas was restored which involved removing the yellowed varnish along with the retouches that had been made during previous restorations. This resulted in the vivid colours originally used by Vermeer shining through and the intimacy of the girl's gaze was also greatly enhanced.